EA: Yeah, I think that's fair. In the book, Wedge, the pilot, winds up as the commanding officer of Marine Fighter Attack Squadron 323, the Death Rattlers. One of my oldest friends is at this moment deployed to the Persian Gulf as the commanding officer of the Death Rattlers, so using that squadron was an homage to him.
But with novels—the ones that I enjoy reading, and the ones I try to write—often you're showing the topography of people's interior lives. And past a certain point, the characters I write are all me, or some version of me.
For instance, with Wedge, there's an opening refrain in the book where he talks about wanting to be close to it, and the it is flying on instinct, by the seat of your pants—something that his great-great-grandfather had done in the Second World War. He feels he's never had the opportunity to do that when the book opens up, and so much of his emotional journey is trying to be close to this it. I was never a pilot, but it, the quest for something real, is definitely an emotional journey that I feel familiar with. There are other characters too, like Chowdhury, who is in the National Security Council. He has a complex personal life and is divorced. I'm divorced.
And I've lived in DC, and have worked in the government and felt the crush of anonymity that comes with some of these bleak government jobs. Chowdhury talks about that; that's part of his character. I know how oppressive the bureaucracy can feel, but also how, even while you're dealing with that feeling, you know you're sitting at the fulcrum of major decisions.
So, oftentimes you're excavating things from your own ex ..
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